Preternatural

Anne Katrine Senstad: On Kinesthesia for Saint Brigid

In the following excerpt, Norwegian artist Anne Katrine Senstad provides us with the history and conceptual origins of her site-specific installation, Kinesthesia for Saint Brigid.  Senstad’s stunning piece will be on view February 15th, between 5-8pm and finally, as part of the Preternatural Closing Event on Friday February 17th, 5-8pm at St. Brigid’s Centre for the Arts. Anne will give a talk at 6pm on the 17th and artists Andrew Wright, Marie-Jeanne Musiol and Adrian Gollner will also be present to take questions from the audience.

Installation view: Kinesthesia for Saint Brigid, St Brigid’s Center for the Arts, Ottawa, 2011-12. Single projection, video, sound. Music by JG Thirlwell.

In dialogue with the deconsecrated church St Brigid’s, the site, sound and time-specific installation Kinesthesia for Saint Brigid creates an environment of projected colors and sound engulfing the church organ, Romanesque  columns and vaulting, in the architectural space.

The video piece Kinesthesia for Saint Brigid consisting of ever changing colors and the beautifully haunting sound composition by JG Thirlwell, enveloping the interior experience by transformations and references to the transcendental in art; that which cannot be described other than through one’s own experience. As the title refers to the condition of kinesthesia; the awareness of one’s own movement, we think of the transitional nature of the projected colors onto the space, transforming the space itself into variations of depth, lightness, shapes, a juxtaposition of the sensorial phenomena of light and color  – an artificial transformation of space and time.

The poetry and polysemy of the site-specific projection brings the viewer into the authenticity of the church’s architecture. We are brought into an experience of the internal, the meditative and physically engulfing visions of pure color and sound. The kinesthesia of this dialogue, a constant movement and transportation of light through space – continues to change the church interior through time and as viewers engage with their presence.

Installation view: Kinesthesia for Saint Brigid, St Brigid’s Center for the Arts, Ottawa, 2011-12. Single projection, video, sound. Music by JG Thirlwell.

In the tradition of minimal light, space and time art, the video and sound projection installation is about creating life in a space by inserting colors, sound and light. A dissemination through the aesthetics and phenomena of the perceptive and retinal. In an attempt to understand and translate the experience of the video projection installation, it can be related to Dan Flavin’s church installation in Italy consisting of fluorescent light tubes in green, pink, gold and ultraviolet, where the statement of creating ‘living space’ in the church and merging with the architecture is key to perceiving the work.

Don Giulio Greco, priest of the Red Church (Chiesa Rossa) in Milano wrote to Flavin in May 1996 : “I’d be delighted if someone like you could help us to find an ambiance in our church. By ‘ambiance,’ I mean a living space, a place inhabited by the Word”.

Other early light and space artists that can resonate in language and objective to the video projection installation at St Brigid’s Center for the Arts, are artists such as James Turell, Douglas Wheeler and Robert Irwin amongst others, who relate the sensorial experiences of space with immersive environments, directing the flow of natural light, embedding artificial light within objects or architecture, or by playing with light through the use of transparent, translucent or reflective materials.

The transformative is a vehicle to the artwork and perceptive experience.

By inserting The Word in Don Giulio Greco’s letter to Flavin, we are reminded of the original usage of the space, here a non-de-consecrated church, a church dedicated to devotion and the spiritual. St Brigid’s center for the Arts is devoted to the arts, be it performance, installation, sound or the visual arts and is a former church, de-consecrated. The purity of site-specific work based around color, light and sound in the tradition of the light and space artists, merges the elements of art for art’s sake and restores a sense of experiential states of being; awareness and the perceptive, which is in direct dialogue with the original use of the church. The bridge between historic content, time, and space.

The installation Kinesthesia for Saint Brigid is the third projection installation in the series. The two first projection exhibitions took place in Buenos Aires in September 2011 at ThisIsNotAGallery with the solo exhibition, The Infinity of Colour, and in Norway in October 2011 at Utsikten Kunstsenter, also a solo show, entitled Kinesthesia in Kvinesdal. The exhibition Kinesthesia for Saint Brigid at St Brigid’s Center for the Arts in Ottawa marks the cornerstone for the trilogy. All installations have been unique and variable in execution with multiple projectors, 4 channel surround sound, fabrics, wind machines and video sequences projected.  All music for the installations has been composed, performed and produced by JG Thirlwell. ( www.foetus.org)

Installation view: Kinesthesia in Kvinesdal. Utsikten kunstsenter, Norway. 2011.  Multiple projectors, surround sound, wind machine, fabric. Music by JG Thirlwell.

 

Installation view: Kinesthesia in Kvinesdal. Utsikten kunstsenter, Norway. 2011.  Multiple projectors, surround sound, wind machine, fabric. Music by JG Thirlwell.

Installation view: The Infinity of Colour. ThisIsNotAGallery, Buenos Aires, Argentina. 2011. Multiple projectors, surround sound, fabric. Music by JG Thirlwell.

Installation view: The Infinity of Colour. ThisIsNotAGallery, Buenos Aires, Argentina. 2011.  Multiple projectors, surround sound, fabric. Music by JG Thirlwell.

Kinesthesia

As we round the corner to the final stage of Preternatural, Norwegian artist Anne Katrine Senstad returns, this time flooding St. Brigid’s with ambient light, colour, and resonance for her site-specific video and sound installation, Kinesthesia for Saint Brigid.

Colour Kinesthesia is part of a larger body of work by Senstad, which explores the multi-sensorial experience of the body enveloped in light and sound. At St. Brigid’s, a video project­ion flooding the rear of the space emits a striking arrangement of colour sequences: a startling blood red — a vibrant blue — a warm green — a stunning yellow, which transgresses through the space to envelop and seemingly disintegrate its architectural details.

The cinematic score that will accompany Kinesthesia for Saint Brigid was composed by eminent musician/composer/producer and DJ, JG Thirlwell.

Below is a short preview of Senstad’s Kinesthesia for Saint Brigid:

Kinesthesia for Saint Brigid by Anne Katrine Senstad will run from Jan. 29th  – Feb 17th 2012 at St. Brigid’s Centre for the Arts.

Opening dates:

— Feb 1: Gallery hours, 5-8PM

— Feb 15: Gallery hours, 5-8PM

— Feb 17: Closing reception, 5-8PM

Preternatural Opening Weekend

 

TONIGHT:

Preternatural Vernissage
The Canadian Museum of Nature, 6-9pm

THIS WEEKEND:

Artist/Curator Talk
9 December 2011, 2pm
Canadian Museum of Nature

Vernissage and Performance: Adrian Göllner
10 December 2011, 2pm
St. Brigid’s Centre for the Arts


 

Behind the Curtain

This week we’ve completely overtaken the Museum of Nature, working fastidiously to finish installing Preternatural.

Anne Katrine Senstad arrived from New York via Norway yesterday and Mariele Neudecker arrives from London today, while the show’s local artists: Marie-Jeanne Musiol and Andrew Wright have been in the process of installing their photo-based works in the exhibition space since last week.  Sarah Walko, who drove in from New York City last Wednesday has just put the finishing touches on the fish tank which will feature in her installation.

Intrigued? We’ve compiled some of our favourite photos of the installation process to share with you, below.  A big thank you to every one who slogged away behind the scenes to bring Preternatural to life.  Enjoy!

In the thick of the installation process, Andrew Wright's Nox Borealis hangs in the background

Stillness in the gallery and Mariele Neudecker's works in progress

Unwrapping Neudecker's miniature lighthouses

Anne Katrine Senstad, Andrew Wright, and Sarah Walko

Sarah Walko assembling a fish tank as part of her installation

A close-up view of another of Walko's creations waiting to be mounted

Anne Katrine Senstad having a look at Marie-Jeanne Musiol's electromagnetic photographs

Works by Wright and Walko receiving final touches

Welcome to Preternatural. Come in and explore.

See you all tomorrow night (Thursday December 8th) at 6pm for the Vernissage at the Museum of Nature (240 McLeod Street)!

 

 

 

 

VIDEO: Interview with Anne Katrine Senstad

A television interview with artist Anne Katrine Senstad and farmer Ronnie Waguespack on the process behind Senstad’s work: The Sugarcane Labyrinth.

Come and see The Sugarcane Labyrinth installed at the Canadian Museum of Nature in Ottawa as part of  Preternatural from December 9th, 2011 – February 12th, 2012.

See more of Senstad’s work here:

annesenstad.com